📘 قراءة رواية Swann's Way أونلاين
هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية
(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.
A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."
The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.
Many passages from Marcel Proust's Swann's Way are by now so well
known that they have turned into cliches and reference points and occupy a permanent place in contemporary Western culture. Scenes and
episodes are familiar even to many who have not actually read the
book: say "Proust" and they will immediately think "madeleine" and
"tea," if not "cork-lined room." Yet confronting the book itself is an entirely different, and individual, experience. One will have one's own
way of visualizing the narrator's childhood bedtime scene with his
mother, his visits to his hypochondriac aunt, his teasing of the servant
Fran;oise, his embrace of the prickly hawthorns, his vision of the three
steeples, and his first piece of serious writing. Swann's agonizing love
affair with Odette and the narrator's youthful infatuation with Swann's
daughter Gilberte will be colored by the personal associations of each
reader, who will likewise have unexpected memories, recalled by unexpected stimuli, that will enable him or her to identify with the narrator
in the most famous scene of all, in which the taste of a tea-soaked
madeleine suddenly incites his full recollection of his childhood in the
village of Combray and, from this, leads to the unfolding of all the subsequent action in the three-thousand-page novel.
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سنة النشر : 2003م / 1424هـ .
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