📘 قراءة رواية Our Mutual Friend أونلاين
اقتباسات من رواية Our Mutual Friend
هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية
(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.
A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."
The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.
Our Mutual Friend
ON THE LOOK OUT
In these times of ours, though concerning the exact year there is no
need to be precise, a boat of dirty and disreputable appearance,
with two figures in it, floated on the Thames, between Southwark
bridge which is of iron, and London Bridge which is of stone, as an
autumn evening was closing in.
The figures in this boat were those of a strong man with ragged
grizzled hair and a sun-browned face, and a dark girl of nineteen or
twenty, sufficiently like him to be recognizable as his daughter.
The girl rowed, pulling a pair of sculls very easily; the man, with
the rudder-lines slack in his hands, and his hands loose in his
waistband, kept an eager look out. He had no net, hook, or line,
and he could not be a fisherman; his boat had no cushion for a
sitter, no paint, no inscription, no appliance beyond a rusty
boathook and a coil of rope, and he could not be a waterman; his
boat was too crazy and too small to take in cargo for delivery, and
he could not be a lighterman or river-carrier; there was no clue to
what he looked for, but he looked for something, with a most intent
and searching gaze. The tide, which had turned an hour before,
was running down, and his eyes watched every little race and eddy
in its broad sweep, as the boat made slight head-way against it, or
drove stern foremost before it, according as he directed his
daughter by a movement of his head. She watched his face as
earnestly as he watched the river. But, in the intensity of her look
there was a touch of dread or horror.
Our mutual friend
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سنة النشر : 1997م / 1418هـ .
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