هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

The Sea Wolf    

I SCARCELY KNOW WHERE to begin, though I sometimes
facetiously place the cause of it all to Charley Furuseth’s credit. He
kept a summer cottage in Mill Valley, under the shadow of Mount
Tamalpais, and never occupied it except when he loafed through
the winter months and read Nietzsche and Schopenhauer to rest
his brain. When summer came on, he elected to sweat out a hot and
dusty existence in the city and to toil incessantly. Had it not been
my custom to run up to see him every Saturday afternoon and to
stop over till Monday morning, this particular January Monday
morning would not have found me afloat on San Francisco Bay.
Not but that I was afloat in a safe craft, for the Martinez was a new
ferrysteamer, making her fourth or fifth trip on the run between
Sausalito and San Francisco. The danger lay in the heavy fog which
blanketed the bay, and of which, as a landsman, I had little
apprehension. In fact, I remember the placid exaltation with which
I took up my position on the forward upper deck, directly beneath
the pilot-house, and allowed the mystery of the fog to lay hold of
my imagination. A fresh breeze was blowing, and for a time I was
alone in the moist obscurity; yet not alone, for I was dimly
conscious of the presence of the pilot, and of what I took to be the
captain, in the glass house above my head.
I remember thinking how comfortable it was, this division of labor
which made it unnecessary for me to study fogs, winds, tides, and
navigation in order to visit my friend who lived across an arm of
the sea. It was good that men should be specialists, I mused. The
peculiar knowledge of the pilot and captain sufficed for many
thousands of people who knew no more of the sea and navigation
than I knew. On the other hand, instead of having to devote my
energy to the learning of a multitude of things, I concentrated it
upon a few particular things, such as, for instance, the analysis of
Poe’s place in American literature, an essay of mine, by the way, in
the current ‘Atlantic.’ Coming aboard, as I passed through the
cabin, I had noticed with greedy eyes a stout gentleman reading
the ‘Atlantic,’ which was open at my very essay. And there it was
again, the division of labor, the special knowledge of the pilot and
captain which permitted the stout gentleman to read my special
knowledge on Poe while they carried him safely from Sausalito to
San Francisco.
The sea wolf

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